• Contact

  • Home
  • Archives
  • About
  • Staff
  • Resources
  • Submissions
  • CFP
  • Contact

Brockhampton: The All-American Boyband

by Maggie Sardino | Xchanges 16.2, Fall 2021


Download PDF Download PDF

 

Contents

Introduction to Counterpublics

Brockhampton as a Counterpublic

Spectacle in Context

Counterpublics and Contradictions

References

About the Author

References

Benner, K., & Ryzik, M. (2020, December 11). FKA twigs sues Shia LaBeouf, citing 'relentless' abusive relationship. New York Times. https://www.nytimes.com/2020/12/11/arts/music/fka-twigs-shia-labeouf-abuse.html

Brockhampton's Kevin Abstract explains his iconic videos. (2019). GQ. https://www.gq.com/video/watch/brockhampton-s-kevin-abstract-explains-his-iconic-videos

Brockhampton on ‘Ginger’, Shia LaBeouf & what inspired Dearly departed. (2019, August 30). https://www.youtube.com/watch?v=AKbldDfLPnU

Fraser, N. (1990). Rethinking the public sphere: A contribution to the critique of actually existing democracy. Social Text, 25/26, 56–80. https://doi.org/10.2307/466240

Jenkins, C. (2018, November 27). Brockhampton isn't your typical 13-member rap collective–slash–multimedia empire. Vulture. https://www.vulture.com/2018/11/brockhampton-isnt-your-typical-13-member-rap-collective.html

HuffPost Live. (2015, February 19). Geraldo Rivera: Hip-hop has done more damage to black people than racism [Video]. Youtube. https://www.youtube.com/watch?v=SqES8vQE-ZA

Kim, M. (2018, May 29). Brockhampton kick out Ameer Vann over sexual misconduct allegations. Pitchfork. https://pitchfork.com/news/brockhampton-kick-out-ameer-vann-over-sexual-misconduct-allegations/

Lewis, A. B. (2003). Media representation of rap music: The vilification of hip hop culture (Unpublished master's thesis). Georgetown University.

Lord, A. (2018). Kids tell us why they're so obsessed with Brockhampton. Vice. https://www.vice.com/en/article/a3q9d8/british-kids-tell-us-why-theyre-so-obsessed-with-brockhampton

Pough, G. (2004). Check it while I wreck it: Black womanhood, hip-hop culture, and the public sphere. University Press of New England.

Rice, J. (2015). Disgusting bullshit, Rhetoric Society Quarterly, 45 (5), 468–472, https://doi.org/10.1080/02773945.2015.1088343

Roberts-Miller, P. (2020). Demagoguery and democracy (Reprint). Experiment Publishing.

Skelton, E. (2017). Why Brockhampton call themselves a boyband. Complex. https://www.complex.com/pigeons-and-planes/2017/10/brockhampton-boyband-meaning

Stutz, C. (2018, March 30). Brockhampton signs with RCA Records. Billboard. https://www.billboard.com/articles/columns/hip-hop/8275832/brockhampton-signs-rca-records

Warner, M. (2002). Publics and counterpublics. Public Culture, 14(1), 49–90.

Pages: 1· 2· 3· 4· 5· 6

Posted by xcheditor on Feb 24, 2022 in Issue 16.2

Related posts

  • Welcome to Issue 16.2 of Xchanges!
  • Rugged Truth: Individualism in Chicago’s Prominent Newspapers throughout the 1920-1930s
  • From Industry to Creativity: The Westinghouse Memorial and the Evolution of Pittsburgh
  • Examining Equity in Accessibility to Undergraduate Scientific Research
  • Understanding the Experiences of Technical Writers in New Zealand and Australia
  • Parabolic Fear Appeals, Culturally Responsible Messaging about HIV/AIDS, and the Metaphor of the Grim Reaper

© by Xchanges • ISSN: 1558-6456 • Powered by B2Evolution

Cookies are required to enable core site functionality.