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"Visual Culture and the 'Alice' Books"

About the Author

Erin Clark Frost is a graduate assistant at Illinois State University. She is pursuing a PhD with specializations in rhetoric and composition, technical communication, and women's and gender studies. She especially enjoys studying visible rhetoric and culture.

 

Contents

Introduction

Cheshire Cat & Dodo

The Brothers Tweedle

Political Cartoons

The Hatter

Renaissance Era

Appropriation

Conclusion

Works Cited, References, and Image Locations

Political Cartoons     

However, the context Tenniel was most known for was his work as a political cartoonist. The first cartoon on this page, which was published in Punch, is known as the “Nemesis of Neglect.” It’s a commentary on the Jack the Ripper murders, putting forth an argument that parallels the modern argument that poverty breeds crime. Tenniel was not afraid to tackle tough subjects like war, as shown in the image below, “The Catch- Penny,” and he dove into issues that were very political, such as unionization, shown in the third image, as well. Tenniel was unafraid to talk about nationality and ethnicity, as shown by his cartoon depicting the Irish land question being taken by the horns. 

"Visual Culture and the 'Alice' Books"
"Visual Culture and the 'Alice' Books"
"Visual Culture and the 'Alice' Books"
"Visual Culture and the 'Alice' Books"

     

Pages: 1· 2· 3· 4· 5· 6· 7· 8· 9

Posted by xcheditor on May 21, 2021 in article, Issue 6.2

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