September 2004 (Vol. 4, No. 1)

American Stories and the Commerce of National Identity

Editorial Letter, 7 September 2004

Editor: Joy Burnett

Storytelling is an art that has been revered by many cultures throughout many eras. While the media and methods used to convey these stories have varied widely, the essential goals of storytelling often have remained familiar. Perhaps a storyteller simply wants to convey information about the world from their own perspective, or maybe persuade the listener or reader to adopt that perspective as their own, either in part or as a whole.

Central to these goals is the question of identity, either as it pertains to the "individual" (however that label is to be interpreted), or as related to other aspects of identity such as nationality, race, gender, or class. The theme of Xchanges 4.1, "American Stories and the Commerce of National Identity," asked submitters to address these and other related topics from within their own particular viewpoints, as scholars and creative writers.

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Contributors to this Issue:

Lan Dong, "Diverse Identities in Interracial Relationships: A Multiethnic Interpretation of Mississippi Masala and The Wedding Banquet"

Kathryn Dowgiewicz, "Small Towns and Rural Communities: Patriotism's Progress"

Kim Glidden, "Arab Stereotypes in American Cinema: An Examination of Hollywood's Racial Injustice in 'Rules of Engagement'"

Victoria Henderson, "Producing Difficulty, or How to Really Lay an Egg"

Renis Nushaj, "Monologue: Explaining the American Dream to an Albanian Mother"

Michael Stauch, "Speaking in Images: The Increasing Subtlety of Manipulation in Wrestlemania XX"

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